Fri, 30 November 2018
For more information on The Florida School of Woodwork: http://www.schoolofwoodwork.com/ For more infomation on Fine Woodworking HANDS On 2019 in Tampa, February 1-3: http://bit.ly/2Pbh03U Kate Swann is a lifetime woodworker, furnituremaker, and artist that known nation wide for her elegant custom furniture designs. Her unique works have been featured in magazines and act as functional furniture pieces in boardrooms, homes and retail spaces around the country. Renowned for her exquisite textural and surface embellishment work, Kate draws from her time spent wandering the globe as a shepherdess, outward bound instructor and translator. As the founder and director of the Florida School of Woodworking, she oversees the curriculum, and mission of the school. Her knowledge and skills come from many years of running Franklin St Fine Woodwork, a custom design/build company she co-founded over twenty years ago. Passionate about the artisanal crafts she works to inspire and motivate students to achieve new levels of accomplishment in the fine woodworking and to enjoy the value of incorporating artisanal work in their lives. We're excited to have the Florida School of Woodwork as the location for our first ever hands-on event, February 1-3, 2019. Fine Woodworking’s HANDS ON is a unique opportunity to expand your skills through personalized instruction from a diverse group of experts in an intimate setting. Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page. |
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Fri, 23 November 2018
Question 1: From Matt: I have 3 questions about getting into kumiko: 1.) What (Japanese) chisel would you recommend starting with? 2.) What online/printed resources would you recommend?
3.) Any thoughts on preparing the strips without a tablesaw or drum sander? Question 2: From Martti: What is it in your preferred kumiko construction that ensures trouble-free cleanup over time for quite some years and decades? Segment: All Time Favorite Technique Ben - Loading magnets into a brass tube in order to keep the polarity correct Mike - Sharpening a chisel to 20º-25º for paring end-grain on pine Question 3: From Al: I am having some trouble laying out the pins and tales on the Wenge in the more traditional way, unlike what Mike shows. Wenge is extremely hard and not at all forgiving and the grain tends to be a problem in scribing the wood. Perhaps this is why he choose to do this with the table saw and router methods. Where can you get the table saw blade and the router bit to do it like Mike. Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page. |
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Fri, 9 November 2018
Leave a comment on this episode's show notes page to enter to win a one of three Shop Talk Live t-shirts! - http://bit.ly/2JzIJZb Question 1: From Damon: It’s time for me to start surfacing rough boards, but I don’t have the money to buy BOTH a jointer and a planer. I do have a plan for milling stock without the jointer, please let me know what you think:
Do you know of a better way to mill to four square without a jointer?
Question 2: From Granary: What are your thoughts on resawing at the tablesaw? I'm terrified of it, but was recently and reluctantly exposed to it as a method for expediting the process at the shop. But, as an intermediate woodworker, I can only see downsides to resawing at the tablesaw. While taking a class, after resawing a few times at the tablesaw, I had to request that I not do it. I felt like a total wuss, but at the same time, when I was holding the stock, and the saw was running, I just felt like it was going to go wrong. Segment: All Time Favorite Technique Anissa: Gluing on clamping blocks for miters
Ben: Using CA glue to glue a piece to an backer board in order to plane it thinner than 1/4-in. Mike: Using shims to perfectly offset a piece
Question 3: Esoteric lumber questions! From Craig: Needed some 16/4 ash stock for table legs. At my local lumberyard, I selected from a bin that contained a mix of flat, riff and quarter sawn boards, I pulled what I’d thought was an ideal piece, had the yard guy write up the tag, and then proceeded to the office. I noticed on the tag that the width of my selection was ~ 12/4. I suggested that I should pay the price for 12/4, rather than 16/4, but they were unpersuaded. It was foolish of me to suggest this, as at this yard the invisible sign on the wall reads “The customer is always wrong” Love the show; Anissa “Long Pause” Kapsales is a nice addition From Cameron: When breaking down a larger board do you prefer long or wide off cuts? After listening to the pod for years now I’m obsessed with getting the best grain selection but don’t want to waste a whole board to get one piece. As an example, I have a board that is 8-in. wide and 4-ft. long. From that I need piece that is 3-in. By 8-in. The best piece is on the edge of the board, 6-in. from the end.
Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@taunton.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page. |
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